View of the church from the south-east


St Wilfrid

Newark Archdeaconry

Newark and Southwell Deanery


There is no mention of a church in Domesday Book, and it is probable that the first church was founded, in the post-Conquest period, as a private chapel to the manor, the site of which now most likely occupied by the present Hall.

The building comprises a chancel with south chapel, nave with north and south aisles, north and south porches, and a west tower. The great majority of the fabric appears to date from the 14th and 15th Centuries and stylistically it is typical Midlands Perpendicular; the tower is clearly of two phases, late 14th to early 15th Century, within this period. However, there is archaeological evidence of earlier work (perhaps 13th Century) notably in the chancel, though most probably elsewhere in the fabric of the nave, now concealed by later work. The parapets are embattled throughout, including the post-medieval sections.

The south chancel chapel dates from the 18th Century and appears to have been added as a funerary chapel to Robert Sutton Lord Lexington (d1723), and his wife the Lady Lexington (d1703). There is a free-standing monument in marble by William Palmer, dated 1726.

There is a hagioscope between the chancel and the south nave aisle, and a stair to the former rood loft on the north side of the chancel arch remains intact. The fabric retains other complex archaeological evidence relating to the previous form of the building, including blocked musket shot-holes in the north doorway which probably relate to Civil-War defence.

The tower contains three bells hung in an Elphick ‘Z’ form frame, apparently by Robert Lee of Averham, dated 1891. The treble is the work of Henry Oldfield II, early 17th Century; the tenor is by George Oldfield I; the second is by Henry Dand.

The church was restored in 1874 by Charles Hodgson Fowler when the classical arch to the Lexington Chapel was replaced by once of Gothic form.

Thanks to Rowan Gillam-Hull for research on this entry and to Jane and Bill Paulson for photographs.

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