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Blyth St Mary and St MartinGlassWest window to south aisleAngels with scrolls in the tracery and arms of Mellish and Cunard above two levels of saints under canopies, signed with the wheatsheaf lower left for C E Kempe. The window dates to 1903 and depicts the following: Upper lightsSt John the Evangelist, holding an open book in both hands, with his symbol of the eagle lower left Angel Gabriel with hand raised in blessing, part of the Annunciation with the Virgin in the centre light, her symbol of the lily in the lower right corner St Martin of Tours as a bishop with a supplicant beggar lower right St Luke holding an open book in his left hand and a quill in his right, symbol of a winged bull lower right Lower lightsSt James dressed as a pilgrim with a scallop shell on his hat, a book held in his right arm and a sword in his left Bald but bearded male saint holding a closed book in his right hand and a staff in his left, crowned ‘b’s in background, Barnabas? Isaiah, identified by the wording on his scroll, but with crowned ‘e’s in background Mitred abbot in black robes holding an open book to which he points, St Benedict? St Nicholas of Bari dressed as a bishop with his crozier and a barrel with the figures of the children lower left Inscription panel lower right. The window was restored in 1996. The inscription reads:
A brass plate under the window reads:
South Aisle WindowsThe south aisle south windows are a series of Old and New Testament typological windows in which the New Testament is demonstrated to be the fulfilment of the prophecies of the Old. The windows share the same design and format and are all the work of the same London-based studio of Burlisson and Grylls, although they are for members of different families. The colouring and style of the windows is based on English 15th-century glass. The first four also share the same design for the background at the top of the lights which consists of a square trellis in pale green against a neutral background. The western window, which is the latest of them, does not have it. Three of the windows (s1, s2 and s4 below) were paid for by Col Thomas Weldon and his wife, according to the plaque at the east end of the aisle. Window s1Three lights with the Agnus Dei above two angels with scrolls in the tracery. They show:
There are canopies to the upper parts of the lights with tracery to the lower, and borders of blue with white devices to all three lights. Shields with IHC and XPC in torses above the first and third lights. By Burlisson and Grylls. Inscription as follows:
Window s2Three lights with the Agnus Dei above two angels with scrolls in the tracery.
Canopies to the upper parts of the lights with tracery to the lower, and borders of red with white devices to all three lights. Shields with IHC and XPC in torses above the first and third lights. By Burlisson and Grylls. The inscription reads:
Window s3Three lights with the Agnus Dei above two angels with scrolls in the tracery.
Again there are canopies to the upper parts of the lights with tracery to the lower, and borders in red or blue to all three lights. Shields with IHC and XPC in torses above the first and third lights. By Burlisson and Grylls. The inscription reads:
Window s4Three lights with an open book and two angels with scrolls in the tracery.
Each of the three lights has the upper scene set under an architectural canopy, with the lower scenes under fictive tracery, and all three lights have decorative borders in red or blue. The initials for Alpha and Omega in Greek are set in torses at the head of the left and right lights. Inscription as follows:
Window s5Three lights with figure of God and two angels with scrolls in the tracery.
All three lights have decorative borders in red or blue and the lower scenes of all three lights have fictive tracery while only the centre light has an architectural canopy. The inscription reads:
North aisle windowsWindow n1Two angels holding scrolls against a blue ground, arranged in two pointed ovals. Includes some fragments of medieval glass. Window n419th-century head of Christ with patterned cross nimbus, above inscription in Latin recording its donation by Maria Amelia Rudd in 1935 (John Rudd was vicar from 1813-34) in memory of John Rudd, vicar of Blyth, his wife Elizabeth and William Thomas, their second son. The inscription reads as follows:
(Lest the name of John Rudd, once vicar of Blyth be forgotten. Elizabeth, his wife and William Thomas Rudd, his second son, this window was placed here by Maria Amelia Rudd in AD 1935 Rest in Peace) Window n5Christ appearing to three kneeling figures, a child between two adults who holds a scroll with, DOMINE, TU ES IN COELO, (Master, who are in Heaven, from the Lord’s Prayer), in a roundel, with edge inscription, SINITE PARVVLOS VENIRE AD ME (let the children come to me, from Mark 10.14) between two other roundels divided in half and presented reversed, top, Annunciation, lower two musical angels, with initials FER on quatrefoils. Borders with flowers. Based on early medieval format, probably mid 19th-century. No dedicatory inscription, but presumably for a child, perhaps Francisca Elizabeth Raine, who died in 1850, aged 5 years, whose grave slab is in the north aisle. |