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Boughton St MatthewFeatures and FittingsFont
The octagonal stone, lead-lined font stands in the south-western part of the nave adjacent to the door from the south porch entrance, and it is mounted upon a square stone raised plinth. The font lid is of oak with iron fittings which appears contemporary with the original stonework. The inscription printed around the top (from Ephesians 4.5,6) reads:
Pulpit
This is approached from four stone steps the treads of which appear to be of Ancaster stone whilst the risers are of Steetley stone. The pulpit itself sits across a corner in an oblique manner partially obscuring some of the fine carved stone architectural features. AumbryT Chest
Chancel Chair
Sanctuary chairA further oak chair is provided in the chancel to which the top rail has a plate attached recording:
The chair has square columns at each corner, each with a spherical finial and two reduced square sections with Astragal mouldings above and below. The square top-rail is supported with six turned elongated multiple ovoid styled columns surmounted with a quinn-arched but square banded top rail. The seat is flat and the front rail has similar arches matching the top-rail, but with a describing line. The arm rails are bow styled and the whole adorned with a neat loose cushion. Pews
Choir stalls
The choir stalls, as with most of the timberwork within the chancel area, are made of oak. They are linear in style with carved tracery work to the front panels. LecternThe lectern is in the main constructed of an attractively grained oak, which has flourished over the years by careful application of polish, although some bloom is present owing to silicon being applied at some stage. The slope is of ample proportion with three gothic arches and representative tracery-work cut within the vertical plate. Carefully chamfered edges add to the features of the piece, which stands on a quartered foot assembly with additional embellishments fitted onto the main octagonal stem. Floor tilesThe encaustic floor tiles, made by Minton are set in various designs composed by the architect at the time of the original build. The degree of extravagance is dependent on the area covered, the nave being the more basic in style with the chancel the most complex. Benefaction panelsThere are two tablets on the west wall of the nave which read:
In addition, a plaque in memory of John Empson records the gift of £200, and another notes the donation of the east window. |