Southwell
Minster

Bells

History of the Minster bells

The earliest date of a church in Southwell is not known but the Saxon minster, which was in existence prior to the Conquest, is known to have had some bells. Confirmation of this comes from the fact that Cynesige, Archbishop of York from 1051 to 1060, gave two bells to the collegiate church in Southwell in the year 1055.

Whether these bells along with any others were transferred to the Norman Minster as part of the fitting out of the new building, or whether they were melted down and made into new bells is not known, because over 400 years were to elapse before any further (oblique) reference to the bells appeared.

At the Visitation on 2 October 1475, John Bull, one of the Vicars Choral was the subject of some complaint, the first peal for Matins being mentioned. At the same Visitation a further complaint was made that the priest on duty did not arrive in the choir until after the bell had finished ringing.

Further complaints appeared concerning the bells on subsequent Visitations: the ringing of the Curfew (in 1483); the bells for Matins (in 1503); the Vicar Choral and the chantry priests for not being in their houses before the Curfew (in 1506); and that the Sacrist did not have the bells rung properly, and did not look after them (in 1519).

A report by William Noone in December 1705 indicates that there were eight bells, but that the peal was unsatisfactory. Noone made recommendations as to rectification and a meeting of the chapter in April 1706 decreed that the said William Noone should be instructed to take down the tenor and the seventh bell which were cracked and remake the seventh as the tenor and make a new treble.

There is no trace of the Noone bill, but it is more than likely they were all re-hung at this time. The ring after restoration would appear to have been:

1.

Cast 1706/7 by William

Note D flat

2.

Unknown

Note C

3.

Unknown

Note B flat

4.

Unknown

Note A flat

5.

Unknown

Note G flat

6.

Unknown

Note F

7.

Unknown

Note E flat

8.

Cast 1706/7 by William Noone

Note D flat   Weight about 28 cwt.

The ring before 1706 must therefore have been much heavier with a tenor of about 40 cwt and the sale of this broken tenor financed the 1706/7 restoration. It can be surmised that this earlier ring would be:

1.

As 2 above

Note B

2.

As 3 above

Note A sharp/ B flat

3.

As 4 above

Note G sharp/ A flat

4.

As 5 above

Note F sharp/ G fiat

5.

As 6 above

Note E

6.

As 7 above

Note D sharp/ E fiat

7.

Predecessor to 8 above

Note C sharp/ D flat Weight about 28 cwt.

8.

Unknown

Note B Weight about 40 cwt.

To modify the ring Noone would also have needed to alter the notes of bells 1 and 5 by chipping the lips to get the notes up about a semitone, a procedure he had used at Lincoln Cathedral a couple of years before.

Sadly the ring of 1706 would only last for a brief time. On the evening of 5 November 1711, when a very violent thunderstorm passed over Southwell, lightning struck the south west tower and a fire broke out. This burnt the tower, the roofs of the nave and transepts, and melted the bells. The petition to Queen Anne for help to repair the damage stated that eight bells were destroyed, presumably the ones that had been rehung by William Noone.

Money for the repairs must have been raised quite rapidly, for on 1 May 1712, Thomas Clay of Leicester signed an agreement with the chapter, 'to recast, renew, and make good, and to put into as good condition as before the late dreadful fire all the mettle of the old bells that was found remaining amongst the ruins, the bells to be well tuned, well toned and pleasant sounded.' The cost was recorded as £371 14s 11d.

We have to assume that it was at this time that the massive timber frame in which some of the present bells hang was provided. It seems, however, that Thomas Clay's bells proved to be unsatisfactory because on 25 January 1719, many of the inhabitants of Southwell signed an agreement to contribute sums of money towards recasting the bells.

The new bells were made by Abraham Rudhall of Gloucester (who had recently completely recast the bells at Newark) and his agreement for recasting them was dated April 1721. He undertook after the eight bells were delivered to him at Budely (now Bewdley) in Worcestershire, to melt them down and make a new peal 'that shall be in the judgement of any three or more under­standing and judicious persons in musick, as good and tuneable and have as sweet and harmonious notes or tones as the bells at Newark, which were lately cast by the said Abraham Rudhall, the whole to cost £100'.

In due course the old bells went to Bewdley and thence down the Severn to Gloucester, were recast and returned to Bewdley and eventually returned to be put up in the minster.

On 25 August 1721 Rudhall wrote giving weights and notes of the new bells as follows:

 

 

cwt    

qur

£

The Treble

 

07

02

25

The second

 

07

02

09

Third

 

08

00

10

Fourth

 

10

01

11

The fifth

 

12

03

19

Sixth

 

15

00

06

The seventh

 

18

03

25

The eighth

 

27

03

27

 

Ton

 

 

 

in all

5

08

02

20

Rudhall recommended that the new bells should be hung by one Francis Wrigley of Manchester 'he being as I believe ye skillfullest person in England in ye business.'

Wrigley did hang the bells, and the chapter paid 10/- for sending a messenger to Manchester to bring him. The total cost of the work including the recasting amounted to £170 17s 6d.

A new frame was constructed (probably in 1722) to take the new bells. All church bellframes were classified in 1945 by George Elphick, using the letters 'A' to 'Z' and then Christopher Pickford developed this classification further with sub-groups in 1993. The wooden frame built in 1722 is, with some minor modifications, in use today. It is an Elphick 'V' type (a jack-braced frame), designated Pickford Group 6B. It has unusually wide braces and jack-braces from the mid point of the main brace to the head. The only other known frame of this exact type (but built on a much smaller scale) is to be found at Ollerton St Giles and dates from 1780.

In 1815 Mr. Ingleman, Clerk of Works, reported upon the state of the collegiate church at Southwell and estimated the expense of repairing the same. He mentioned that the fourth and fifth bells wanted recasting and estimated the cost as £80 5s 0d. From their inscriptions it would appear that they were recast by T. Mears of London in 1819. Thirty years later, the second bell was also recast, this time by C. & G. Mears of London in 1849. Both T Mears and C & G Mears were trading names of the long-established Whitechapel Bell Foundry.

Apart from these recastings and the later rehanging on ball bearings these same bells, hung anticlockwise, remained in service until 1960.

During the period 1848 to 1888, much-needed repair and restoration of the minster took place under the guiding hand of the distinguished architect Ewan Christian. A good deal of the work was needed to deal with the hasty and supposedly temporary action taken in the aftermath of the 1711 fire. Christian was determined to ensure that the central tower was improved and enhanced, both structurally and aesthetically.

It was found upon detailed examination that damage to the tower had been repaired with plasterwork and then whitewashed over. There was loose stonework 'ready to fall' it was reported to Christian, and the ringing of any of the bells 'save one small one' was prohibited until urgent remedial work could be carried out.

The original internal structure of the tower above the crossing was in the form of a lantern, intended to be seen from below. The post-1711 structural work had obscured this completely, with an inappropriately low ringing floor. Christian’s solution was to construct a ringing gallery, 5' 6" in width, below the lantern windows. This was completed in 1854, partly utilising recovered timbers, at a net cost of £19.13.6d.

When a new tower clock was installed in 1898 to celebrate Queen Victoria’s Diamond Jubilee, two additional bells cast by John Taylor of Loughborough were added to the frame to mark the same event. They were given by Mr. Starkey of Norwood Park and were hung dead (that is to say, not for ringing). They were added simply to enable the chimes of the chime drum to be altered to include the National Anthem. After that it played three tunes:

                    Innocents, or Conquering Kings their Titles Take
                    Southwell, or Jerusalem My Happy Home;
                    The National Anthem.

The bells did not leave the tower again until 1960 when they and the chiming bells were removed to Messrs. J. Taylor & Co. at Loughborough. They were subsequently recast and augmented to become, with the inclusion of the two 1898 bells, the first peal of twelve bells in the Diocese. (There are actually 13 bells, a flat 6th being included to make a light ring of ten). The original inscriptions placed on the bells by Abraham Rudhall were replaced on the new bells with the added inscription, 'By the generosity of Sir Stuart Goodwin our bells were reconstructed and augmented in 1961.'

The bells were re-hung in the old 1772 timber frame which had to be extended by John Taylors and modified to include cast-iron side-frames. When the installation was complete, this became the only anti-clockwise peal of twelve bells in the world. Not only is this unique but it also makes them so much more difficult to ring well.

At the same time in 1961, the ringing gallery was removed. It had been used to ring eight bells, with two bell ropes and two ringers per side. The ringers stood facing inwards, with their backs to the lantern openings and the stout wooden balustrade in front of them. They also faced some unsightly netting, presumably fitted for added security.

The removal of the ringing gallery was necessitated by the upgrade to twelve bells, since such a number could not be rung using the old arrangement. Consequently a new floor was inserted across the tower. The contractor’s design involved spans of timber which were inappropriately lengthy and as a consequence the new floor began to sag soon after installation. Subsequently this defect was corrected by inserting steel beams above the unsafe floor and building a new floor for the ringing chamber. Thus the timber seen from below whilst standing in the crossing is not load-bearing and is in fact a false ceiling.

The present bells

Bells and bellframe Bells and bellframe Bell 5 Bell 12

Details of the present bells are as follows:

  Inscription Size Weight Founder
1

JOHN TAYLOR & CO * FOUNDERS *
LOUGHBOROUGH * 1961 *
BY THE GENEROSITY OF SIR STUART GOODWIN

25.75”

4.2.16

John Taylor Loughborough
Cast 1961

2

JOHN TAYLOR & CO * FOUNDERS *
LOUGHBOROUGH * 1961 *
OUR BELLS WERE RECONSTRUCTED

26.5”

4.3.0

John Taylor Loughborough
Recast 1961

3

ABR: RUDHALL OF GLOCESTER CAST VS ALL [ ] 1721 [ ]
RECAST BY JOHN TAYLOR & CO
LOUGHBOROUGH 1961
AND AUGMENTED IN 1961

26.75"

5.0.17

John Taylor Loughborough
Recast 1961

4

RECAST BY JOHN TAYLOR & CO * FOUNDERS * LOUGHBOROUGH * 1961 *
C & G MEARS FOUNDERS LONDON 1849

28.75"

5.1.17

John Taylor Loughborough
Recast 1961

5

+ Domine . salvam fac Reginam +
Ex voto
Ludovici Randle Starkey
de Norwood
A.D. MDCCCXCVII
* Taylor fecit *

29.75"

6.0.27

John Taylor
Loughborough
Cast 1897

6

PROSPERITY TO THIS TOWN [125] 1721
RECAST BY JOHN TAYLOR & CO
LOUGHBOROUGH 1961

31.75"

6.1.26

John Taylor Loughborough
Recast 1961

Flat 6

J.W JOHN TAYLOR & CO * FOUNDERS *
LOUGHBOROUGH * 1961 *

34.25”

6.3.5

John Taylor Loughborough
Cast 1961

7

+ Domine. Fiat pax in virtute Tua + [ ]
Ex voto
Ludovici Randle Starkey
de Norwood
A.D. MDCCCXCVII
* Taylor fecit *

34”

8.0.1

John Taylor
Loughborough
Cast 1897

8

RECAST BY JOHN TAYLOR & CO * FOUNDERS * LOUGHBOROUGH * 1961 *
T. MEARS OF LONDON FECIT 1819

35.5”

8.0.23

John Taylor Loughborough
Recast 1961

9

RECAST BY JOHN TAYLOR & CO * FOUNDERS * LOUGHBOROUGH * 1961 *
T. MEARS OF LONDON FECIT 1819

39”

10.0.27

John Taylor Loughborough
Recast 1961

10

PROSPERITY TO THIS CHAPTER [125] 1721 [ ] RECAST BY JOHN TAYLOR & CO
LOUGHBOROUGH 1961

41.5”

12.2.15

John Taylor Loughborough
Recast 1961

11

PROSPERITY TO THE CHVRCH OF ENGLAND [125] 1721 [  ]
RECAST BY JOHN TAYLOR & CO
LOUGHBOROUGH 1961

46”

17.2.15

John Taylor Loughborough
Recast 1961

12

 TO THE CHVRCH THE LIVING CALL AND TO THE GRAVE DOE SVMMON ALL 1721
RECAST BY JOHN TAYLOR & CO
LOUGHBOROUGH 1961

52.25”

25.1.3

John Taylor Loughborough
Recast 1961

Bellframe

The bellframe Bellframe truss

The bellframe is substantially a wooden frame of 1722, Elphick type 'Z', Pickford Group 6.A, with unusually large main braces and short jack braces. In places it has been augmented by corner posts.

The later additions are composite wood and metal Pickford Group 7.A.b wooden heads and cills with individual cast iron braces (pierced) bolted to cill and head. Also Pickford Group 8.2.A all metal trusses compounded with the main frame.