Nottingham
St Saviour

2.East window

This is a large, imposing, colourful window comprising five lights surmounted by a roundel. The two outer pairs of lights each support a round light and are taller than the centre one. All five lights have trefoil heads. From left to right the lights depict St. Matthew, St. Mark, Christ with two angels above, St. Luke and St. John. In the roundel there are six smaller circular lights each with a figure holding a scroll with the word Hosanna.

The stained glass was installed in two phases.

The centre panel depicting Christ dates from 1893 and commemorates Samuel and Elizabeth Rogers. The inscription at the bottom of the light reads:

The four other panels of the window and the tracery originally contained plain glass which were replaced in 1905 by designs showing 'chastely designed figures of the apostles' in memory of a former vicar, the Rev James Given, who had died the previous year. The service of dedication took place on 5 January 1905, conducted by the Bishop of Derby.

Inscribed on the glass at the bottom of the northernmost light is the text 'Nottingham Stained Glass Works'. The company was established c.1900 by stained glass manufacturer, Samuel Musgrave, and based at 83 Wollaton Street, Nottingham. By 1912, however, the premises had been taken over by Butler & Marriott and by 1919 Pope & Parr were based at the address.

6.Style as window 16. A quatrefoil light fills the apex of the arch. The centre round section is decorated with a crown resting on a heart. In the trefoil headed lights below the round panel on the left shows a crucifix with an X cross below and the right light shows an anchor.
The inscription along the bottom of the window reads:

7.This window follows the shape of window 16 and other windows in the aisles but the glazing is very different. The trefoil light in the arch is filled with a deep red and blue design with a white horse carrying a cross in the centre. Below the two lights are predominantly blue in colour each with a multitude of figures, the left showing a bearded figure with a white pennant with a red cross at the top, below are two winged angels and a sitting figure. On the right light there is a tonsured male, a helmeted soldier and a male looking upwards. At the bottom of the window is the text:

8.

South aisle now within the food preparation area.

Style as window 16.

The inscription at the bottom of the window reads:

12. &
13.Rising from the plinth between buttresses, each is a double light surmounted by a central roundel set within a pointed arch. The glass in the main lights is mixture of pale green and clear with a slightly rectangular pattern in the lower part changing to a random style which terminates at the start of the arch, changing to a lozenge pattern. The quatrefoil filling the arch is glazed with the same colours in the random style.

17.Generally of the same design as window 16, but with a cinquefoil light within the arch, depicting three intertwined fish. Within the left light the roundel depicts a shield with crossed keys and the right light a cockerel.

The dedication at the bottom of the lights reads:

18.General design as window 16
Again a trefoil headed light with three circles of dark red and blue glass in the arch around a central circle containing the Chi Rho symbol.

The apex of the lights each show a crown and the round panel below has the letter ‘A’ in the Greek style and the left light the Greek style ‘O’.

There is no dedication on this window.

19.The style is again as window 16.

In the apex of the trefoil the roundel is filled with a cinquefoil, at the centre of which is a circle with the lettering IHS. The lights below have crowns in each of the points of the trefoil heads, but the left light has a wheatsheaf in the medallion and the right light a bunch of grapes. At the base of the lights is the inscription:

21.View from interior was not accessible. General design as Window 1.