For this church:
All the stained glass insertions in the windows of Willoughby church were carried out in the late 19th century (altar window) and early 20th century.
The earliest stained glass window can be seen at the east end of the chancel (altar window). No maker’s mark is evident but it is by W G Taylor of Berners Street, London, and a commemorative plaque underneath this window states:
It depicts St Mark in the left hand panel, Jesus appearing to the disciples in the middle three panels, and St Luke in the right hand panel. This stained glass window was inserted at the time of the 1891 chancel restoration.
The south chancel, with a band extending over the narrow plinth, has two 19th century arched three-light windows with cusped panel tracery, hood mould and label stops.
The window at the east end of the south aisle is of three panels and a commemorative brass plaque states:
The left hand panel depicts St Mark (M), middle panel St Dorcas (D) and the right hand panel St Elizabeth (E). The small apex pane depicts the Greek medieval Christogram of HIS. No maker’s name/mark is in evidence but the window is in a similar style of Charles Powell.
The other nave and vestry windows on the south side are of clear leaded glass but the vestry window on the west side is of mixed pale coloured glass (green and amber).
The windows of the clerestory are also of small panes of leaded pale coloured glass.
The coloured glass window in the bell tower depicts the baptism of Jesus by John the Baptist. The inscription reads:
At the west end of the north aisle is a window depicting St Michael in its central panel. The two outer panels are of plain stippled glass and read:
On the north wall of the kitchen area is a two-panelled window. In one is the figure of St Elizabeth and in the other is a figure of St Anne. The apex panel depicts Christ holding the Christogram (medieval design). These panels were installed in memory of Elizabeth Moorhouse:
These windows are very much in the style of Kempe.
The window behind the organ at the east end of the north aisle depicts the resurrection of Christ, in the style of Kempe, with the maker’s signature, Charles Powell (of W. O. & C. Powell of London), in the bottom right-hand corner. 'I know that my redeemer liveth alleluia' is written in the six small panes at the top of the window. The inscription at the bottom of the window reads: